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The Belvoir Hunt, Full Cry

Aquatint, Lithograph, and the Instant · The Sporting Print

The Belvoir Hunt, Full Cry

Henry Thomas Alken, oil on canvas, c.1830s · oil on canvas

What it is

The Belvoir field runs flat out behind the pack in full cry, horses stretched low across open grass.

Why it matters

Alken built his career on hunting scenes painted from a rider's eye rather than a spectator's, and a run with the Belvoir — one of England's oldest packs — gave him speed instead of ceremony to paint.

What to notice

the leading horse's ears pinned back against its neck, reading the ground rather than watching the hounds.

The chase forgives no rider who hesitates.

Provenance

Maker
Henry Thomas Alken, oil on canvas, c.1830s
Era
The Georgian Turf (1750–1837)
Chapter
The String at Full Stretch
Medium
oil on canvas
Made
1833
Source
Tate (T02354)
View the public source record ↗

Print master

The largest formats are printed from a master enlarged 3× from the surviving 1200×777 scan by AI enhancement (Claid smart-enhance), prepared for the considered detail of a print viewed at distance. The source record above is unchanged — the enhancement serves the wall, not the archive.

Rights: CLEAR. Public domain — U.S. 95-year rule (published 1930 or earlier). Gated by the work’s own year of publication. Cleared by registry on 2026-07-20.

Format

The full-resolution, color-managed file — restored honestly, yours to print and keep.

Sized to protect print quality — this scan supports sizes up to 18x24" cleanly.

Size

$29.00

More from the Stable Wall

Elsewhere in the family

  • The Links — the other morning religion.
  • Painted Lineage — the bloodline, beside the family line.
  • Painted Earth — home ground as a period map.
The Provenance family ↗