THE PADDOCK
Cart

Aquatint, Lithograph, and the Instant

The String at Full Stretch

The sporting print at reckless speed — and the photograph that ended the argument.

1839–1900

The middle of the morning belongs to speed: Alken’s riders over hedges by moonlight, Herring’s champions, the Fores’s plates that were the nineteenth century’s action film; the American trotter at impossible extension, printed for every farmhouse wall; and then Muybridge, whose twelve frames of 1878 proved all four hooves leave the ground and settled a century’s wager. The painters kept time until the shutter learned to.

Why this era hangs here

The Victorian Turf

Britain, France & United States · 1837–1901

Herring’s official memory of the classic winners, the Fores’s plates, the American trotting lithographs, Degas at the rail, the Vanity Fair jockeys — and Muybridge’s shutter ending the century’s argument. Pre-1931 publication clears under the family’s U.S.-seller framework.

Collections

In this chapter

Steeplechasing — The Start

The Sporting Print

Steeplechasing — The Start

The field away over the first — Alken’s sporting England at full, reckless stretch.

‘Elis’, Winner of the St Leger, 1836

The Sporting Print

‘Elis’, Winner of the St Leger, 1836

The champion in his loose box — Herring’s formula, repeated for decades because it was correct.

Fores’s National Sports — The Run In

The Sporting Print

Fores’s National Sports — The Run In

The great mid-century sporting series at the finish — restored to museum grade.

The Trotting Mare Nancy Hanks

The American Trotter

The Trotting Mare Nancy Hanks

The record-holder to her bicycle sulky — the American parlor’s favorite athlete.

The Horse in Motion — 1878

The Instant

The Horse in Motion — 1878

Twelve frames proving all four hooves leave the ground — the photograph that ended a century’s argument.

Animal Locomotion — the Gallop Grid

The Instant

Animal Locomotion — the Gallop Grid

The stride laid out as a grid — motion made legible, one frame at a time.

The Cambridgeshire Stakes, Newmarket, 1849

The Cambridgeshire Stakes, Newmarket, 1849

The Cambridgeshire field pours down the Newmarket straight, Alken counting silks in the autumn light of 1849.

'Elis', Beating Colonel Peel's 'Slane', 300 Guineas, Newmarket

'Elis', Beating Colonel Peel's 'Slane', 300 Guineas, Newmarket

Alken has Elis take the measure of Colonel Peel's Slane over the Newmarket turf, 300 guineas riding on a length.

The Dead Heat for the Doncaster St Leger, with 'Voltigeur' and 'Russborough'

The Dead Heat for the Doncaster St Leger, with 'Voltigeur' and 'Russborough'

Voltigeur and Russborough lock together at the Doncaster post, Alken painting the dead heat before the run-off settled it.

Matilda, the winner of the Great St. Leger Stakes at Doncaster, 1827

The Sporting Print

Matilda, the winner of the Great St. Leger Stakes at Doncaster, 1827

Reeve's engraving after Herring carries Matilda's Doncaster win into the print-shop window, mane flat in the run-in.

The Belvoir Hunt, Full Cry

The Sporting Print

The Belvoir Hunt, Full Cry

The Belvoir strung out in full cry, Alken catching horses flat and low over the shires grass.

The Belvoir Hunt, Jumping into and out of a Lane

The Sporting Print

The Belvoir Hunt, Jumping into and out of a Lane

Horses drop into a sunken lane and scramble out, Alken relishing the awkward geometry of a real hunting country.

The Belvoir Hunt, The Death

The Sporting Print

The Belvoir Hunt, The Death

The run ends and the horses blow, Alken closing the Belvoir sequence with hounds baying at the kill.

Steeplechasers Jumping a Fence

The Sporting Print

Steeplechasers Jumping a Fence

Alken freezes the steeplechasers at the top of a fence, forelegs tucked and turf flying behind.

Two Steeplechasers Clearing a Wall, with Two Steeplechasers in the Middle Distance

The Sporting Print

Two Steeplechasers Clearing a Wall, with Two Steeplechasers in the Middle Distance

Two steeplechasers rise at a stone wall with two more coming on behind, Alken's country hard and unforgiving.

Five Steeplechasers, with a River in the Middle Distance and a Red Flag on the Horizon

The Sporting Print

Five Steeplechasers, with a River in the Middle Distance and a Red Flag on the Horizon

Five steeplechasers race a red flag on the skyline, Alken driving them across country toward a distant river.

Three Steeplechasers Clearing a Ditch

The Sporting Print

Three Steeplechasers Clearing a Ditch

Three steeplechasers stretch over a ditch, Alken pinning the exact instant before the landing.

The Belvoir Hunt, The Meet

The Sporting Print

The Belvoir Hunt, The Meet

The field gathers for the Belvoir at the meet, Alken laying out horse, hound and hard frost in one cold morning.

Doncaster St. Leger - The Start

The Sporting Print

Doncaster St. Leger - The Start

The St Leger field breaks at Doncaster in Alken's aquatint, a wall of silks let loose at the flag.

Extraordinary Steeple-Chase

The Sporting Print

Extraordinary Steeple-Chase

Alken's comic-heroic steeplechase, horses and riders flung at every hazard the shires can offer.

Doncaster St. Leger - The Finish

The Sporting Print

Doncaster St. Leger - The Finish

Alken brings the St Leger home at Doncaster, the leaders drawing clear as the crowd rises along the rail.

The Celebrated Trotting Mares Maud S. and Aldine

The American Trotter

The Celebrated Trotting Mares Maud S. and Aldine

Maud S. and Aldine paired to Vanderbilt's wagon at Morrisania, two record mares stepping as one.

Trotting Cracks at Home, a Model Stable

The American Trotter

Trotting Cracks at Home, a Model Stable

Currier & Ives take the trotting cracks home to a model stable, Thomas Worth's gentlemen fussing over their harness stock.

Fast Trotting in the West - Lucy and Goldsmith Maid

The American Trotter

Fast Trotting in the West - Lucy and Goldsmith Maid

Lucy and Goldsmith Maid head to head out West, Currier & Ives running two great mares stride for stride.

A Good Send Off - Goldsmith Maid, American Girl, Lucy and Henry

The American Trotter

A Good Send Off - Goldsmith Maid, American Girl, Lucy and Henry

Four cracks get a good send-off at Fleetwood Park, Currier & Ives catching the moment the field breaks even.

Champion Trotting Stallion Smuggler

The American Trotter

Champion Trotting Stallion Smuggler

Smuggler, the champion stallion of the Milton stud, shown at his trot in a Currier & Ives sheet.

American Trotting Stud - Mambino Pilot, Flora Temple

The American Trotter

American Trotting Stud - Mambino Pilot, Flora Temple

A breeder's sheet of the American trotting stud, Currier & Ives lining up the sires that made the gait.

The Celebrated Trotting Mare Lucy, Passing the Judges' Stand

The American Trotter

The Celebrated Trotting Mare Lucy, Passing the Judges' Stand

Lucy sweeps past the judges' stand at Buffalo to take the fourth heat, Currier & Ives holding her at the wire.

Celebrated Trotting Mare Lady Thorne

The American Trotter

Celebrated Trotting Mare Lady Thorne

Lady Thorne, once the Maid of Ashland, drawn at her long low trot in a Currier & Ives sheet.

The Celebrated Trotting Mare Flora Temple, Driven by James D. McMann

The American Trotter

The Celebrated Trotting Mare Flora Temple, Driven by James D. McMann

Flora Temple flying to McMann's hands, the bobtail mare who first broke 2:20 laid out at speed.

The Grand Trotting Stallion Bonesetter

The American Trotter

The Grand Trotting Stallion Bonesetter

Bonesetter, son of the Brooks Horse, shown to the sulky as a stud sheet for the harness men.

Champion Trotting Queen Alix

The American Trotter

Champion Trotting Queen Alix

Alix, the trotting queen of 1893, laid flat to the sulky in her 2:07 record at Washington Park.

The Celebrated Trotting Mare Goldsmith Maid Driven by Budd Doble

The American Trotter

The Celebrated Trotting Mare Goldsmith Maid Driven by Budd Doble

Goldsmith Maid in Budd Doble's hands at Buffalo, the queen of the trotters beating Lucy in record heats.

'Trotting Cracks' at the Forge

The American Trotter

'Trotting Cracks' at the Forge

The trotting cracks pull up at the forge, Currier & Ives resting the road horses under the smith's lamp.

'Trotting Cracks' on the Snow

The American Trotter

'Trotting Cracks' on the Snow

Sleighs and trotting cracks fly over packed snow, Currier & Ives making a winter sport of the road-wagon match.

Animal Locomotion, Plate 614

The Instant

Animal Locomotion, Plate 614

Muybridge lays a galloping horse out in serial frames on Plate 614, the stride finally taken to pieces by the camera.

Animal Locomotion, Plate 630

The Instant

Animal Locomotion, Plate 630

Plate 630 runs the horse through its paces in a strip of exposures, motion pinned like a specimen.

Animal Locomotion, Plate 632

The Instant

Animal Locomotion, Plate 632

Plate 632 sets a ridden horse through the sequence, rider and mount dissected in the same instant.

Animal Locomotion, Plate 625

The Instant

Animal Locomotion, Plate 625

Plate 625 sets the horse's gait in a grid, Muybridge proving what no eye at the rail could ever hold.

Animal Locomotion, Plate 635

The Instant

Animal Locomotion, Plate 635

Plate 635 closes the horse series, Muybridge's camera settling forever the argument over the flying gallop.

Animal Locomotion, Plate 633

The Instant

Animal Locomotion, Plate 633

Plate 633 catches the horse and rider frame by frame, the whole gallop laid bare in a row of stopped time.

Animal Locomotion, Plate 628

The Instant

Animal Locomotion, Plate 628

Plate 628 walks the horse frame by frame, Muybridge cataloguing the machinery of the walk.

Animal Locomotion, Plate 629

The Instant

Animal Locomotion, Plate 629

Plate 629 holds the horse mid-stride across the sequence, the instant the turf never lets you see.

Animal Locomotion, Plate 631

The Instant

Animal Locomotion, Plate 631

Plate 631 breaks the canter into its parts, Muybridge's grid making a science of the stride.