The Paddock
The horse taught art to look harder — the horse in art from Stubbs to Muybridge, printed on archival stock and attributed to the hand that made it.
Conformation and the Parade Ring · Chapter 1 of 3
The Yard Wakes
Before the race, the animal; before the animal, the anatomy.
Aquatint, Lithograph, and the Instant · Chapter 2 of 3
The String at Full Stretch
The sporting print at reckless speed — and the photograph that ended the argument.
The Jockeys and the Champions’ Record · Chapter 3 of 3
The Names on the Board
Small men, large kingdoms — and the horses the century never stopped arguing about.
93 pieces in the shop · 80 sold as archival prints, 13 as archival files
Whistlejacket
Race Horses Before the Stands
Steeplechasing — The Start
‘Elis’, Winner of the St Leger, 1836
Fores’s National Sports — The Run In
The Trotting Mare Nancy Hanks
The Horse in Motion — 1878
Animal Locomotion — the Gallop Grid
The Jockey — Fred Archer
The Champion at Stride
Gimcrack on Newmarket Heath
The Horse Fair
Mr E. J. Irwin's Foig-a-Ballagh, Winner of the 1844 St Leger
Priam
A Cossack Horse in a Landscape
'The Duke of Grafton's Whisker in a Stable'
'Memnon, 1825'
'Barefoot, 1823'
Lord Jersey's Middleton
The Black Horse
Two Horses in a Paddock
The Racehorse 'Actaeon'
Two Horses Communing in a Landscape
Self Portrait on a White Hunter
A Bay Racehorse in a Loosebox
Newmarket Heath, with a Rubbing-Down House
Marengo
A Chestnut Stallion in the Grounds of Powis Castle
'Pyrrhus the First'
'Amato'
'St Patrick'
'Foigh-a-Ballagh, 1844'
Jockeys and Race Horses
'Mameluke', a bay racehorse, with Will Wheatley up
'Jack Spigot', a dark bay racehorse with jockey up
Memnon, with William Scott Up
The Cambridgeshire Stakes, Newmarket, 1849
'Elis', Beating Colonel Peel's 'Slane', 300 Guineas, Newmarket
'Hambletonian' Beating 'Diamond' (after George Stubbs)
The Dead Heat for the Doncaster St Leger, with 'Voltigeur' and 'Russborough'
Le Champ de courses, jockeys amateurs près d'une voiture
At the Races
Lord Rous's Racehorse Shrapnell, with his trainer and jockey
Matilda, the winner of the Great St. Leger Stakes at Doncaster, 1827
The Belvoir Hunt, Full Cry
The Belvoir Hunt, Jumping into and out of a Lane
The Belvoir Hunt, The Death
Steeplechasers Jumping a Fence
Two Steeplechasers Clearing a Wall, with Two Steeplechasers in the Middle Distance
Five Steeplechasers, with a River in the Middle Distance and a Red Flag on the Horizon
Three Steeplechasers Clearing a Ditch
The Belvoir Hunt, The Meet
Doncaster St. Leger - The Start
Extraordinary Steeple-Chase
Doncaster St. Leger - The Finish
The Celebrated Trotting Mares Maud S. and Aldine
Trotting Cracks at Home, a Model Stable
Fast Trotting in the West - Lucy and Goldsmith Maid
A Good Send Off - Goldsmith Maid, American Girl, Lucy and Henry
Champion Trotting Stallion Smuggler
American Trotting Stud - Mambino Pilot, Flora Temple
The Celebrated Trotting Mare Lucy, Passing the Judges' Stand
Celebrated Trotting Mare Lady Thorne
The Celebrated Trotting Mare Flora Temple, Driven by James D. McMann
The Grand Trotting Stallion Bonesetter
Champion Trotting Queen Alix
The Celebrated Trotting Mare Goldsmith Maid Driven by Budd Doble
'Trotting Cracks' at the Forge
'Trotting Cracks' on the Snow
Animal Locomotion, Plate 614
Animal Locomotion, Plate 630
Animal Locomotion, Plate 632
Animal Locomotion, Plate 625
Animal Locomotion, Plate 635
Animal Locomotion, Plate 633
Animal Locomotion, Plate 628
Animal Locomotion, Plate 629
Animal Locomotion, Plate 631
Sam Loates (Vanity Fair)
Mr Arthur Coventry, 'The Baby' (Vanity Fair)
Lester Reiff, 'Lester' (Vanity Fair)
James Woodburn (Vanity Fair)
Frank Wootton (Vanity Fair)
Tom Cannon (Vanity Fair)
Arthur Templeman, 'A Rising Star' (Vanity Fair)
John Reiff, 'Johnny' (Vanity Fair)
Arthur James (Vanity Fair)
Mr George Thursby (Vanity Fair)
Fred Rickaby, 'Rick' (Vanity Fair)
Frederick Barne (Vanity Fair)
William Crawfurd Stirling-Stuart (Vanity Fair)
William Higgs, 'Top of the List' (Vanity Fair)
Tom Loates (Vanity Fair)Chapter IV · The Silks
Your family’s colors, designed as an original.
Everything else in this house is someone else’s morning, faithfully reproduced. This one is yours: cap and jacket rendered in period plate style, named and dated — “THE REYES SILKS · FIRST CARRIED 2026.” Text only, no uploaded art, no borrowed marks.
The Commission
The Silks
Choose the jacket, the sleeves, the cap, and a classic pattern; name the ground in your own words; add a line of dedication. Rendered as a Georgian sporting plate, a racing card, or a parlor lithograph. For the founding of the family colors, the first pony, the syndicate share, the retirement from the saddle.
Honest by rule: real racing silks are registered with the turf authorities. Ours are original decorative colors, not a registration — and we say so, on the page.
from $99.00 · free watermarked preview
Museum-grade, made to order
Sized honestly to the scan that survives.
Archival pigment ink on cotton-rag stock, colour-managed to the source scan — aquatint grain, litho crayon, and the locomotion grid intact. And a promise most print shops won’t make: we only offer a size the original scan can actually hold. Where the surviving plate is small, we say so and sell you the file instead of a soft print.
Digital Download
The full-resolution, color-managed file — restored honestly, yours to print and keep.
from $29.00
up to high-res
Archival Giclée Print
Archival pigment giclée on museum-grade matte art paper, color-managed to the source scan — the flat inks and stone grain intact. The 40×60 is the room-changer.
from $39.00
up to 40x60
Classic Framed Print
The archival giclée, mounted and set behind glaze in a handmade satin-wood frame — Prodigi’s Classic Frame. Ships assembled, ready to hang. The considered middle: the print, framed, without the box-frame premium.
from $89.00
up to 24x36
Gallery Canvas
Gallery-wrapped canvas on solid wood stretcher bars. Made for a wall that remembers the morning gallop.
from $195.00
up to 40x60
Heirloom Box Frame
The archival print in a deep, hand-joined box frame — night-street black, natural oak, or gallery white. The premium hang: spacer-set, glazed, ships assembled.
from $285.00
up to 24x36
Stone, steel & stride
The medium changed. Everything followed.
The etched steel of the aquatint printed the chase for every hall in the county. The lithographer’s stone sold the trotter to every farmhouse wall. Then the camera settled the gallop the painters had argued over for a century. Every picture in this house belongs to one of those four eras — and knowing which is how you see it.
Stone, Steel & Stride →93 pieces cleared · 4 eras · every maker named · next slate opens January 2027