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The Belvoir Hunt, Jumping into and out of a Lane

Aquatint, Lithograph, and the Instant · The Sporting Print

The Belvoir Hunt, Jumping into and out of a Lane

Henry Thomas Alken, oil on canvas, c.1830s · oil on canvas

What it is

A sunken lane crosses the Belvoir's line, and the field drops down into it before scrambling up the far bank.

Why it matters

Alken preferred the ugly obstacle to the clean fence — a lane crossing broke a horse's stride twice in one movement, and that broken rhythm was truer to a real hunting day than any tidy jump.

What to notice

the horse at centre, hocks bent hard under it, already gathering for the second leap before the first has landed.

The country, not the horse, decides who follows.

Provenance

Maker
Henry Thomas Alken, oil on canvas, c.1830s
Era
The Georgian Turf (1750–1837)
Chapter
The String at Full Stretch
Medium
oil on canvas
Made
1833
Source
Tate (T02353)
View the public source record ↗

Print master

The largest formats are printed from a master enlarged 3× from the surviving 1200×784 scan by AI enhancement (Claid smart-enhance), prepared for the considered detail of a print viewed at distance. The source record above is unchanged — the enhancement serves the wall, not the archive.

Rights: CLEAR. Public domain — U.S. 95-year rule (published 1930 or earlier). Gated by the work’s own year of publication. Cleared by registry on 2026-07-20.

Format

The full-resolution, color-managed file — restored honestly, yours to print and keep.

Sized to protect print quality — this scan supports sizes up to 18x24" cleanly.

Size

$29.00

More from the Stable Wall

Elsewhere in the family

  • The Links — the other morning religion.
  • Painted Lineage — the bloodline, beside the family line.
  • Painted Earth — home ground as a period map.
The Provenance family ↗