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The Belvoir Hunt, The Death

Aquatint, Lithograph, and the Instant · The Sporting Print

The Belvoir Hunt, The Death

Henry Thomas Alken, oil on canvas, c.1830s · oil on canvas

What it is

The hunt has run its fox to ground; hounds crowd in while the field pulls up around them, horses blown and steaming.

Why it matters

'The Death' closes Alken's hunting sequence as tradition demanded — the day painted whole, from the calm of the meet to this — because the sport's meaning sat in the arc, not any single moment of it.

What to notice

the steam rising off the nearest horse's flank, more honest than the drama gathered around the kill.

Every hunt ends the same distance from where it started: tired.

Provenance

Maker
Henry Thomas Alken, oil on canvas, c.1830s
Era
The Georgian Turf (1750–1837)
Chapter
The String at Full Stretch
Medium
oil on canvas
Made
1833
Source
Tate (T02355)
View the public source record ↗

Print master

The largest formats are printed from a master enlarged 3× from the surviving 1200×834 scan by AI enhancement (Claid smart-enhance), prepared for the considered detail of a print viewed at distance. The source record above is unchanged — the enhancement serves the wall, not the archive.

Rights: CLEAR. Public domain — U.S. 95-year rule (published 1930 or earlier). Gated by the work’s own year of publication. Cleared by registry on 2026-07-20.

Format

The full-resolution, color-managed file — restored honestly, yours to print and keep.

Sized to protect print quality — this scan supports sizes up to 18x24" cleanly.

Size

$29.00

More from the Stable Wall

Elsewhere in the family

  • The Links — the other morning religion.
  • Painted Lineage — the bloodline, beside the family line.
  • Painted Earth — home ground as a period map.
The Provenance family ↗